DADAISM - ART AND ANTI ART
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Dadaism or Dada was a form of artistic anarchy born out of disgust for the social, political and cultural values of the time. It embraced elements of art, music, poetry, theatre, dance and politics. Dada was not so much a style of art like Cubism or Fauvism; it was more a protest movement with an anti-establishment manifesto.
Dada was a form of artistic anarchy that challenged the social, political and cultural values of the time.
Dada embraced elements of art, music, poetry, theatre, dance and politics.
Dada aimed to create a climate in which art was unrestricted by established values.
Dada was anti-establishment and anti-art.
The name 'Dada' means 'hobbyhorse' or the exclamation "Yes-Yes".
The Cabaret Voltaire in Zurich was the birthplace of Dada.
After the war the Dadaists relocated to Berlin, Cologne, Hanover and New York.
The Dadaists published 'manifestos' and magazines to help communicate their ideas.
The Dadaists used techniques such as automatism, chance, photomontage and assemblage.
The Dadaists introduced the concept that an artwork could be a temporary installation.
The Dadaists expanded the boundaries and context of what was considered acceptable as art.
Several Dada exhibitions caused public outrage and were closed by the authorities.
Dada influenced the development of Surrealism, Action Painting, Pop Art, Happenings, Installations and Conceptual Art.
The main artists associated with Dada were Hugo Ball, Tristan Tzara, Marcel Janco, Richard Huelsenbeck, Jean (Hans) Arp, Raoul Hausmann, Hannah Höch, John Heartfield, Kurt Schwitters, Johannes Baargeld, Johannes Baader, Max Ernst, George Grosz, Hans Richter, Francis Picabia, Man Ray and Marcel Duchamp.
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