POST IMPRESSIONISM
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VINCENT VAN GOGH (1853-1890)
'View of Arles-Orchard in Bloom with Poplars', 1890 (oil on canvas)
Post Impressionism was not a formal movement or style. The Post Impressionists were a few independent artists at the end of the 19th century who rebelled against the limitations of Impressionism. They developed a range of personal styles that focused on the emotional, structural, symbolic and spiritual elements that they felt were missing from Impressionism. Their combined contributions form the artistic roots of modern art for the next eighty years.
Impressionism was the first movement in the canon of modern art. Like most revolutionary styles it was gradually absorbed into the mainstream and its limitations became frustrating to the succeeding generation. Artists such as Vincent Van Gogh, Paul Cézanne, Paul Gauguin and Georges Seurat, although steeped in the traditions of Impressionism, pushed the boundaries of the style in different creative directions and in doing so laid the foundations for the art of the 20th century. Their name was derived from the title of the exhibition 'Manet and the Post-Impressionists' which was organized in London by the English artist and critic Roger Fry in the winter of 1910-11. For historical convenience these artists have been labeled as Post Impressionists but, apart from their Impressionist influence, they don't have that much in common.
The Post Impressionists were a few independent artists at the end of the 19th century who rebelled against the limitations of Impressionism to develop a range of personal styles that influenced the development of art in the 20th century.
- The art of Paul Gauguin was a major influence in the development of Fauvism.
- The art of Vincent Van Gogh was an influence on Expressionism in the 20th century.
- The art of Paul Cézanne was an influence on Cubism at the start of the 20th century.
- The analytical method of Seurat's Pointillism influenced those artists who adopted more calculated approach to painting, particularly in the development of abstract art.
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Comments
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